SE Electronics BL8 Cardioid Boundary Microphone

SE Electronics BL8 Cardioid Boundary Microphone: The sE Electronics BL8 Boundary Microphone features an all-metal, tank-like build and extreme flexibility for a wide range of live and studio applications. It features a half-cardioid, 3-micron true condenser diaphragm for exceptional sensitivity in the low-frequency range, making it ideal for kick drum miking. The SE Electronics BL8 is very flexible and can easily handle pianos, ambient room mics, and other sounds. It has built-in controls for two different low-cut frequencies (80 or 160 Hz), two different attenuation levels (-10 or -20 dB), and two different EQ voicings (classic or modern). Sturdy Design of sE Electronics BL8: The transformerless Class SE Electronics BL8’s circuitry ensures ample headroom to avoid distortion and produces an ultralow-noise signal with plenty of transparency. The tour-ready enclosure features a dent-proof grille and gold-plated XLR connectors to withstand the rigors of the road, and its sturdy design also accommodates the Kelly Shu Flatz Isolation System, which is perfect for heavy touring applications. This microphone comes with a carry pouch to ensure its safety during transport. Sleek, low-profile design The sE Electronics BL8’s elegant form offers more than just nice looks. By making the boundary microphone tiny, SE Electronics ensures that it will fit in any place. The BL8 may fit inside a bass drum, in the corner of a studio, or on a busy conference room table. Furthermore, this boundary microphone is compatible with Kelly Shu mounting, expanding its versatility significantly. Low cut. This switch allows you to reduce low-frequency response at two distinct frequencies (80 or 160 Hz) or leave it completely flat. The low-cut filter decreases undesired footfall noise and rumbles in applications such as room miking or speaking. It can also be used to reduce the proximity effect. Attenuation Pad When active, the attenuation pad suppresses the microphone signal by 10 or 20 decibels, preventing loud sources from overloading your mixer, preamplifier, or audio interface. The pad is deactivated at its middle position, but the microphone output remains unaffected. When miking a kick drum, it is recommended that you start with a 10 dB attenuation. For really loud sources, you may need to use the 20 dB attenuator. Moderately loud sources should be fine with the 0 dB setting. Character The optimal studio kick drum tone is frequently different from preferences in a live sound setting. The sE Electronics BL8, like the V KICK, an award-winning kick-drum microphone, has classic and modern character voicings. These settings both trim and shape low-mid frequencies, emphasizing transients and impact. In its center position, the capsule retains its neutral response, making it ideal for a variety of additional applications. Swappable Capsule The capsule inside the sE Electronics BL8 can be replaced with an alternative, such as the sE8 omnidirectional capsule, allowing for an even wider range of applications. Simply spin the screw in the center of the microphone grille until it loosens, then remove and replace the capsule retention screw. Surface Mounting The BL8 can be fixed with screws to a surface, wall, ceiling, or the lid of a grand piano. Simply open the microphone as if you were changing the capsule. The two attachment points are covered with black stickers; use a sharp tool to remove them. Then, with a sharp instrument, punch through the underlying protective foil and install as desired with screws (not included). SE Electronics BL8 Boundary Microphone Features: SE Electronics BL8 is a versatile boundary microphone that is ideal for kick drums and high-SPL sources. Features include a half-cardioid polar pattern and a -10 or -20 dB attenuation pad An 80 or 160 Hz low-cut switch, a classic or modern EQ Character switch, an ultra-thin 3-micron condenser diaphragm Compatibility with the Kelly Shu Flatz System Tour-ready all-metal construction, travel pouch, and support for Kelly Shu microphone mounts